[vs] [Tanto pe' cantà] Bigmuff vs musimatic?

[Tanto pe' cantà] Claire Boucher (Grimes) lancia i suoi Pussy rings

Claire Boucher, aka Grimes, ha presentato una linea di gioielli realizzata in collaborazione con l'artista di Montreal Morgan Black. Prima creazione: il Pussy Ring. Sì, quella Pussy. 

[Tanto pe' cantà] Miles Kane meets Paul Weller

[Tanto pe' cantà] [News] Vuoi vestirti come Pete Doherty?

La collezione Pete Doherty in vendita da The Kooples. 

Peter Doherty's collaboration with The Kooples is finally to see the light of the day. We reported last May that the troubled British musician - whose brushes with the law and previous relationship with Kate Moss have been well documented - would be turning his hand to a range for the autumn/winter 2011 season, but this had been postponed to spring/summer 2012 after he was sent to prison for six months last year for cocaine possession and use.

The range, which caters to both men and women, is inspired by the dandyism of British sub-cultures, in particular the 'Suedeheads' and 'Mods' of the '60s, and Doherty's own vintage wardrobe. Highlights for men include a beige panama and brown felt hat designed in collaboration with historic London hat maker James Lock & Co. T-shirts featuring the 32-year-old's artwork also form part of the mix.

For women, a leather dress inspired by British singer Jane Birkin, shorts with braces and a Victorian-style blouse are all adorned with a medal logo - stamping Doherty's love of military and trinkets across the collection.

And this being The Kooples after all, who better than model Irina Lazareanu, Doherty's on-again, off-again lover to model the women's line?

Peter Doherty for The Kooples is due to hit stores on Wednesday, March 14. [#]

[Tanto pe' cantà] Atlas sound e la cover di My Sharona di 1 ora

Atlas Sound - My Sharona (Cedar Cultural Center, MInneapolis, 02/03/2012)

...things felt a little awkward the moment he [Brandon Cox] initially stepped onstage, his face utterly concealed by a menacing, black, ski mask. But, as he purposefully prepared an intricate guitar-looping framework and launched into "Parallax," all was temporarily forgotten.
The first part of his performance was completely spellbinding. [...]

But then, per request of an obnoxious audience member to hear "My Sharona," things got strange. The transition was stark and instant, as if Cox suddenly felt mocked or distrusting of the audience he had gradually opened dialogue with throughout the course of the night. He obliged to play the song, which at first was generally entertaining. He employed his looping skills again, picking up different instruments along the way and inviting the openers to join him onstage. But it morphed into something bizarre, a unending cover that rivaled the length of a Phish concert and let's get real: "My Sharona" isn't exactly a "jam track."

It was interesting to observe the reactions of the openers. Initially the vibes were positive. The musicians, all fairly young, were clearly honored to be sharing a moment of spontaneity with someone they idolized. 35 minutes later that enthusiasm began to fade. They were visibly uncomfortable and beginning to question the sanity of their esteemed proctor, unwillingly locked in some twisted, Doomsday clock performance of a '70s hit. Yet, "My Sharona" endured still, as did Cox's increasingly awkward interactions with the audience. He asked people to take their clothes off. He shouted seemingly intoxicated defenses about his art. He simulated fallatio. He, to the horror of the Cedar employees, told everyone to pick up their chairs and shake them above their heads. While this behavior in another context could have been viewed as "rock'n'roll" it was unsettling and some people began filtering out of the venue. Eventually, after inviting the audience onstage (which visibly gave the Cedar staff an anxiety attack) he seemed to get the picture that the show was over and bid his adieu, dedicating the show to "the death of folk music and the birth of punk." [#]

[Tanto pe' cantà] Bon Joviver

La band Miracles of Modern Science rifà in falsetto alla maniera di Bon Iver You give love a bad name di Bon Jovi. Geni.

[Tanto pe' cantà] Lana del Rey stona al Saturday Night Live

Lana del Rey - Video Games (live @ SNL)

Lana del Rey - Blue Jeans (live @ SNL)

[Tanto pe' cantà] Courtney love litiga col pubblico all'SWU in Brasile

Cortney Love ha suonato con le Hole al festival brasiliano SWU e ha dato spettacolo. Prima si è scoperta il seno almeno in un paio di occasioni, poi ha litigato col pubblico colpevole di aver mostrato una foto di Kurt Cobain e ha lasciato il palco per poi rientrare. 

[Tanto pe' cantà] Fa stage diving ma la folla si scansa

[Tanto pe' cantà] Il ritorno di Axl Rose

Guns n' Roses - Welcome to the jungle (live @ Rock in Rio 2011)

[Tanto pe' cantà] Real estate suonano di fronte ad un pubblico indifferente

Real Estate - It's real (2011)

Una delle canzoni più belle del 2011 suonata di fronte ad una audience di stronzi. Perle ai porci.

[Tanto pe' cantà] MGMT: "Throw yer left shoes!"

US Open of Surfing 2011 - Huntington Beach (CA) - 6 agosto 2011 

[Tanto pe' cantà] Amy Winehouse a Belgrado

Amy Winehouse - Back to black live in Belgrado 16.6.2011

[Tanto pe' cantà] Le bizze di Ariel Pink a Coachella

Eccentric lo-fi rocker Ariel Pink threw an onstage fit during his set at Coachella on Friday (April 15), complaining about the sound, smoking cigarettes with his back to the crowd and eventually storming off the stage.

Known for having an unpredictable live show, the Los Angeles frontman for Ariel Pink's Haunted Graffiti seemed particularly haunted during his performance at the Gobi tent in the scorching Friday afternoon heat. After a heated interaction with the soundman, apparently due to microphone issues, Pink appeared hell bent on ruining his own show, causing feedback with his microphone, dancing to his band's music but refusing to sing.

When the majority of the crowd refused to leave, transfixed by his antics, the temperamental singer grew even further enraged, and stormed off the stage, offering a halfway apology to his dismayed fans, "I'm sorry," he said. "I know you hate me now."

Though his band attempted to salvage the set by returning Pink to the stage, he remained upset, pouting with his back to the crowd and picking his thumb nervously, though he finally gave in and sang a bit on the final songs 'L'estat (According to the Widow's Maid)' and his 2010 gem 'Round and Round.'

Though most fans appeared perplexed and shocked by his meltdown, some found the tantrum amusing, considering it a form of musical entertainment from a misunderstood genius. [#]

[Tanto pe' cantà] Band picchia il chitarrista troppo scarso

[Tanto pe' cantà] La peggiore cover band del mondo

Non riuscirò mai più a smettere di ridere!!!